For Pirelli’s latest calendar, the Italian tire company enlisted photographer Albert Watson to work his magic. The iconic calendar, in which nearly every major photographer has taken part, has evolved over the years. It’s gone from racy, to fantastical, to radically inclusive, and now, cinematic. Watson’s interpretation may be 2-D, but it’s so complex — like a film, he’d say — that it really will take a year to get through. Dubbed “Dreaming,” the Scottish photographer’s exploration of the changing nature of…
